Danielle Orchard in Conversation with the Sculptures of Aristide Maillol

Danielle Orchard in Conversation with the Sculptures of Aristide Maillol
Lévy Gorvy Dayan is thrilled to announce an exhibition of new paintings by Danielle Orchard in conversation with sculptures by Aristide Maillol (1861–1944), on the Fifth Floor of 19 East 64th Street in New York. Staging a dialogue between painting and sculpture that is beyond time, the exhibition will represent visions of form, volume, and line explored through the female figure.

The Garden is Open: Jocelyn Tsiah @ Hashimoto Contemporary, NYC

The Garden is Open: Jocelyn Tsiah @ Hashimoto Contemporary, NYC
Hashimoto Contemporary is pleased to present The Garden is Open, a solo exhibition by Brooklyn-based artist Jocelyn Tsaih. The show will be Tsaih’s inaugural solo exhibition at Hashimoto Contemporary, in which she considers the idea of sanctuary and refuge. Largely inspired by community gardens, parks and botanical gardens found in New York City and the Bay Area, The Garden is Open reflects on Tsaih’s sense of comfort when surrounded by plant-life and color, as well as their direct impact on her personal state of being.

Basil Kincaid “Inward Cartography: Self of Selves” @ Library Street Collective, Detroit

Library Street Collective is pleased to present Inward Cartography: Self of Selves, Basil Kincaid’s debut solo exhibition with the gallery. Known for intricate textile works spanning quilting and embroidery, Kincaid often explores the power of action, intention, and the possibility of radical transformation through a spectrum of works that navigate abstract and narrative modalities.

Mark Whalen’s Path to the “Lighthouse”

It seemed a like a totem of survival, assertive and singular, a sequoia after a forest fire. Mark Whalen, who lost his home in the Altadena fire that ravaged the eastern portion of Los Angeles in early 2025, and his body of work, Lighthouse, have the context of strength and fortitude, but also something quite personal and reflective. The centerpiece 16-foot sculpture, created as a commission for Red Car and part of a group of sculptures shown as part of a presentation with Harper’s for Frieze Week in LA, shows what Whalen has as a storyteller: the stacking of pieces of a thought, they way a whole comes together with the disparate pieces of a puzzle to make do from.…

Mike Kuchar is a “Show Off”

François Ghebaly New York is delighted to present Show Off, iconoclastic filmmaker and visual artist Mike Kuchar’s newest exhibition at the gallery’s Lower East Side location. Since the 1960s, Mike Kuchar has been a majorly influential figure in the underground film and comics scenes. Together with his twin brother George, the Kuchars gained cult recognition first in the Bronx and then in San Francisco for their over-the-top, no-budget films that sent up Hollywood epics, weepy romances, and sci-fi B movies. In iconic films like Sins of the Fleshapoids (1965), The Craven Sluck (1967), and Death Quest of the Ju-Ju Cults (1976), Mike developed his distinctive style that jettisoned traditional narrative structure and acting professionalism in favor of extravagant, tender sagas that would have a significant impact on emerging theorizations…

Dislyxec Poet: CB Hoyo @ Plan X Gallery, Milan

Dislyxec Poet: CB Hoyo @ Plan X Gallery, Milan
With Dislyxec Poet at Plan X Milan, CB Hoyo does what he does best—breaks the rules, questions value, and makes the art world deeply uncomfortable while laughing at it. This exhibition at Plan X Milan is not just an overwhelming spectacle of 1,500 unique works on paper, but also a reckless market experiment, a farewell performance, and a final act of creative destruction.

Dada Khanyisa: this is for you

Dada Khanyisa: this is for you
In their first exhibition at Sadie Coles HQ, Radio Juxtapoz and featured artist alum Dada Khanyisa presents a group of ‘sculptural paintings’ that look to their immediate community in Cape Town, popular culture, and Khanyisa’s extensive research into the social and political histories of South Africa, producing lively figurative assemblages that convey the vibrancy and diversity of contemporary life. Throughout their labour-intensive practice – incorporating hand carved wood, meticulously compiled sculptural elements and found objects, and painted backdrops borrowed from candid or historic photographic sources – Khanyisa expresses interpersonal dynamics through the lens of their social observations and lived experience.