Illustration

In one of the most anticipated shows of the winter, Ricco/Maresca is showing Henry Darger: Utopia / Dystopia at their NYC space. Any presentation of Darger’s work generates attention, especially from our readership over the years, so definitely wanted to get this on the radar of everyone here.

François Ghebaly New York is delighted to present Show Off, iconoclastic filmmaker and visual artist Mike Kuchar’s newest exhibition at the gallery’s Lower East Side location. Since the 1960s, Mike Kuchar has been a majorly influential figure in the underground film and comics scenes. Together with his twin brother George, the Kuchars gained cult recognition first in the Bronx and then in San Francisco for their over-the-top, no-budget films that sent up Hollywood epics, weepy romances, and sci-fi B movies. In iconic films like Sins of the Fleshapoids (1965), The Craven Sluck (1967), and Death Quest of the Ju-Ju Cults (1976), Mike developed his distinctive style that jettisoned traditional narrative structure and acting professionalism in favor of extravagant, tender sagas that would have a significant impact on emerging theorizations…

With Dislyxec Poet at Plan X Milan, CB Hoyo does what he does best—breaks the rules, questions value, and makes the art world deeply uncomfortable while laughing at it. This exhibition at Plan X Milan is not just an overwhelming spectacle of 1,500 unique works on paper, but also a reckless market experiment, a farewell performance, and a final act of creative destruction.

Hashimoto Contemporary is pleased to present a solo exhibition by Los-Angeles based artist Michael McGregor at Zona Maco, featuring a series of new paintings and hotel stationary drawings. This marks the artist’s premier solo booth at the esteemed art fair.

56 Henry is pleased to present Nudes, a collection of twenty-two Polaroids and two pencil drawings by Andy Warhol, on view at 56 Henry Street through February 23, 2025.

Spoke Art is excited to announce the twelfth iteration of The Moleskine Project, our most beloved and longest running exhibition. This dynamic group show has included hundreds of emerging and established artists from around the world utilizing the humble pages of the ubiquitous sketchbook.

Harman Projects is pleased to announce Liminality, the latest solo exhibition by Miles Johnston. Following his last exhibition over six years ago, this new body of work features drawings in graphite and ink as well as paintings in oil and watercolor, highlighting the artist’s eclectic range.

Anton Kern Gallery is pleased to present an exhibition of works by David Byrd (1926 – 2013) coinciding with the release of Volume 1 of the late American artist’s catalogue raisonné. Occupying the third floor gallery, this presentation aims to illuminate the interconnections between Byrd’s paintings, drawings, and assemblage sculptures, and provide a glimpse into his creative process. Special attention is paid to the portraits Byrd sketched on notepaper while on the job and painted years later, of the men and women at the Veterans’ Affairs hospital in Montrose, NY, where he worked as an orderly from 1958 – 1988. The exhibition also includes paintings of the landscapes he passed on his daily commute to and from work, and scenes of small town life in Sidney Center where he would…

It’s a process of patience. JIM JOE, famous in that he is famously mostly reluctant to take a spotlight or showcase himself in public, made an entire project in public. Perhaps the most public place he could, at the New York Public Library, exploring two branches located on Fifth Avenue between 40th and 42nd Street in their rich and vast resoruces of pictures they have in their archive. As the 2023 Picture Collection Artist Fellow, JIM JOE made all the works in this show, Practice in Public, now on view at Entrance, all inside the library. What is fascinating about this, even through his reinterpretations and reimagining imagery both obscure and iconic is the discipline in which JOE have himself.…

The idea and practice of getting away, going on vacation, emerged simultaneously with the expansion of railways across Europe and the United States in the 19th century; the American middle-class family vacation didn’t become popular until the 1950s. And yet, there is this idea that the impulse and practice of “getting away from it all” has always been there. The images that come back from friends and family who ventured to other lands feature classic tourist spots—the Eiffel Tower, the Grand Canyon, the Pyramids of Giza, the Tower of Pisa—but they also feature everyday objects—a cup of coffee, a pigeon, bottles on the side of the road—that seem to glow anew in a foreign light.